Taryn Simon (b. 1975) produced A Living Man Declared Dead and Other Chapters over a four-year period (2008–11), during which she traveled around the world researching and recording bloodlines and their related stories. “In each of the 18 chapters,” the photographer has explained, “you see the external forces of territory, governance, power, and religion, colliding with the internal forces of psychological and physical inheritance.” She chose a wide variety of subjects, including feuding families in Brazil, victims of genocide in Bosnia, the body double of Saddam Hussein's son Uday, and the so-called living dead in India. Simon’s detailed archive of images and text is systematically organized in grids to reveal social changes driven by science, culture, and chance. This collection is at once cohesive and arbitrary, mapping the relationships among order, chaos, genetics, and other components of fate. In addition to the Corcoran, A Living Man Declared Dead and Other Chapters is traveling to Tate Modern, London; Neue Nationalgalerie, Berlin; and the Museum of Modern Art, New York.
“The DC Jazz Jam has provided a tremendous boost to DC’s indigenous jazz scene. [The] cadre of fine musicians at Dahlak have managed to create a warm, inviting, encouraging, and creative environment at their weekly jam sessions, which is no small accomplishment. Experienced professionals, like myself, attend the jam to relax, stretch out musically, and network with other players. But at the same time, the DC Jazz Jam has proved to be the perfect setting for younger talent to come out, and have some of their first experiences playing in front of an audience and to learn their craft in the laboratory of a nurturing jam session. In this manner, the DC Jazz Jam is but the latest chapter in Washington’s long history with America’s classical music, jazz.”